The origins of a dress lie in a few lines sketched on a sheet of paper: a draft, or design, the toile that will become couture. The first draft of a perfume is also written, assessed and worked on, revealing its various facets. Step by step, the same procedure is used to compose two worlds with myriad, corresponding pathways. Based on an outline, an Haute Couture dress and its designs are sketched; an Haute Parfumerie scent and its variations are composed. Eau de Toilette: A House of Dior icon J’adore is writing a new chapter with its Eau de Toilette, sketching the paradox of lightness combined with a very marked scent. To the splendid richness of the Eau de Parfum bouquet comes the response of the Eau de Toilette, without the slightest apprehension, celebrating the flowers’ petals. Light yet not naïve, delicate yet not insipid, such are the characteristics of the Eau de Toilette. At the origin of the New Look, Christian Dior’s “Corolle” dress blossomed like a flower, its profusion of pleats creating light volume. J’adore’s bouquet blossoms and develops in the same way in the new Eau de Toilette. As in the Eau de Parfum, the flowers are indistinguishable, corresponding in rare harmony. It is a harmony orchestrated in moderation around the noblest raw materials, respecting Dior’s Haute Parfumerie expertise which retains only excellence. This unique composition offers itself the time of perfection to create a fragrance synonymous with Monsieur Dior’s vision of luxury: “Real luxury requires real materials and real craftsmanship.”